Aluminum casting is more and more employed nowadays to replace bronze for a couple of reasons. Below is the takeaway for this post. Bronze Casting Aluminum Casting Stainless steel Casting Bronze casting is the most widely used traditional alloy. Highly flexible for patina, finishing and texture treatment. Bronze can be used for both miniature and monument with different casting technique: lost wax casting and sand
Compared with stainless steel Grade 201 and 304, stainless steel 316 works much more better on build quality. Stainless steel sheet. The armature and the base of the sculptures is 16 MM thick,which is extremely strong for the structure. It can even stands a couple adults climbing on the sculpture. Cutting and bending the stainless steel sheeting according to design.We use high precision water jet cutter or plasma cutter to cut stainless steel sheet into the shape we wanted. Step 3: Building Armature of the sculpture. All joints are full welded to maximize strength. We use TIG and MIG for welding. The welding rods have to be exactly the same as the stainless steel sheet. Otherwise there will be imperfection on the finished works. Step 4: Fabrication This is the crucial steps in the entire fabrication process.
These are material commonly used for polishing: polishing wheel, cotton wheel, non-woven wheel and polishing paste. The hard and tough polishing wheel is used in first stage and then softer cotton wheel. Polishgin paste of different colors are also used in different stage. Step 6: Shipping and Installation Feel free to let me know if you have any technical question on how to fabricate stainless steel sculptures or you need a quote for your own project. Click the link below or call...Nowadays technology, especially the smartphone and internet, has been radically reshaping every aspect on our life.
will be required to achieve the desired result of a dynamic contemporary sculpture. Today, Kevin Robb creates contemporary stainless steel sculptures and bronze sculptures, magnificent works crafted by Kevin since he suffered a massive stroke in 2004. He arrives daily in the studio with his slow, cane assisted walk and limited vocabulary of about 100 words and works diligently with the men that have been hired to be his hands. Kevin directs the staff in every cut, angle, curve and weld. He’s like a maestro in the studio demanding the sculptures be created according to his vision as well as maintaining the high quality craftsmanship his reputation is built upon. Although he has been challenged physically, Kevin continues to create the sculptures that he loves so much. His ideas remain free flowing and his commitment to
